William Shakespeare (1564-1616), a playwright, theatre director, actor and poet, was born in Stratford-upon-Avon to John Shakespeare, a successful glove-maker and tanner, and Mary Arden from an affluent landowning family. From 1568 to 1611 he lived in London, where he made a name for himself with his plays. He was an actor and director in various theatre companies and co-owned the famous Globe and Blackfriars theatres. Shakespeare’s writing for theatre includes 36 plays and is considered the pinnacle of Elizabethan and Renaissance drama. It is divided into several genres: histories, based on historical chronicles of England’s past, comedies, tragedies, written during his second creative period (1594-1600), considered his masterpieces, and romances. 18 plays were published during his lifetime, the other 18 were published later by two members of the King’s Men acting company, Henry Condell and John Heminges. His best comedies and tragedies presented fundamental existential questions and paved the way for subsequent playwriters. His festive play A Midsummer Night's Dream was written around 1595 and was first performed to celebrate the wedding of two ladies-in-waiting from noble families, patrons of Shakespeare’s acting company.
In A Midsummer Night's Dream, a romantic comedy, Shakespeare drew inspiration from various sources, including medieval romances, Ovid’s Metamorphoses and Chaucer’s Canterbury Tales. The play is set in Athens in the run-up to the wedding of Theseus, Duke of Athens, to Hippolyta, Queen of the Amazons. The comedy consists of five interconnecting plots, four of which portray four couples who succumb to erotic temptation on a midsummer’s night when sexual desire is more formidable than emotional commitment to the person of one’s choice. The fifth story shows a group of amateurs putting on a mythical love tragedy of Pyramus and Thisbe. A focal point of the play is the dreamlike lust of love triggered by the potion made from a magical flower. In the real world, there are requited and unrequited loves: Helena loves Demetrius, Demetrius loves Hermia, Hermia loves Lysander, and he loves her. As the plot thickens, another story begins, set in a world of fantasy and fairy-tale imagination. The fantasy world is invariably linked to reality, which speaks in favour of the fact that fantasy is an important part of life.

“Our production of A Midsummer Night's Dream will unleash a wild chase for the incarnation of our yearnings. We will raise a curtain to the unpredictable world of our instincts. I’m interested in finding out what happens when one is allowed to derail and drown in the sensual sea of sexual impulses; when we become our own experiment, riddled with unbridled fantasies and animalistic outlets. 
I wish to disclose the entire range of the rise and fall of a love vow in its diverse manifestations; first dates, debauched butterflies, longings, physical dependency, sex for a thousand and one nights, as well as inundation, boredom and senseless carnality that becomes simply one of those things. How come the air shared by a couple turns stale and makes them mutually repulsive? How come they start irritating each other and long for a change?
In the course of a single night, the world of reality and the world of dreams merge. Dreams are made flesh, and the invisible forces of nocturnal magic mercilessly take their toll on the lovers. The consequences of a midsummer’s night lived to the fully are liberating for some and devastating for others. Love is blind. Love is glorious. A Midsummer Night's Dream is a vision of an epic struggle for love." 
                                                                                                          Jaša Koceli, director